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The Institute
- A Novel
- Letto da: Santino Fontana
- Durata: 18 ore e 59 min
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Sintesi dell'editore
A 2020 Thriller/Suspense Audie Award winner!
A New York Times 100 Notable Books of 2019 selection
From number one New York Times best-selling author Stephen King, the most riveting and unforgettable story of kids confronting evil since It.
“This is King at his best” (The St. Louis Post-Dispatch).
In the middle of the night, in a house on a quiet street in suburban Minneapolis, intruders silently murder Luke Ellis' parents and load him into a black SUV. The operation takes less than two minutes. Luke will wake up at The Institute, in a room that looks just like his own, except there's no window. And outside his door are other doors, behind which are other kids with special talents - telekinesis and telepathy - who got to this place the same way Luke did: Kalisha, Nick, George, Iris, and 10-year-old Avery Dixon. They are all in Front Half. Others, Luke learns, graduated to Back Half, "like the roach motel," Kalisha says. "You check in, but you don't check out."
In this most sinister of institutions, the director, Mrs. Sigsby, and her staff are ruthlessly dedicated to extracting from these children the force of their extranormal gifts. There are no scruples here. If you go along, you get tokens for the vending machines. If you don't, punishment is brutal. As each new victim disappears to Back Half, Luke becomes more and more desperate to get out and get help. But no one has ever escaped from the Institute.
As psychically terrifying as Firestarter, and with the spectacular kid power of It, The Institute is “is another winner: creepy and touching and horrifyingly believable, all at once” (The Boston Globe).
"Stephen King's newest audiobook is compulsively entertaining and features a dazzling performance by narrator Santino Fontana.... Fontana does wonders with this diverse lineup of young characters who band together to fight their captors. Each of them sounds authentic and unique. Meanwhile, the adult characters, with a few exceptions, are a nightmarish bunch. Through them, Fontana shows that evil can have many different voices.... [King's] and Fontana's talents are a winning combination." (AudioFile magazine)