To Kill a Mockingbird
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To Kill a Mockingbird
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Letto da:
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Sissy Spacek
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Di:
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Harper Lee
A proposito di questo titolo
Harper Lee’s Pulitzer prize-winning masterwork of honor and injustice in the deep south - and the heroism of one man in the face of blind and violent hatred, available now for the first time as a digital audiobook.
One of the best-loved stories of all time, To Kill a Mockingbird has been translated into more than 40 languages, sold more than 30 million copies worldwide, served as the basis for an enormously popular motion picture, and was voted one of the best novels of the 20th century by librarians across the country. A gripping, heart-wrenching, and wholly remarkable tale of coming-of-age in a South poisoned by virulent prejudice, it views a world of great beauty and savage inequities through the eyes of a young girl, as her father - a crusading local lawyer - risks everything to defend a black man unjustly accused of a terrible crime.
©1988 Harper Lee (P)2006 HarperCollins Publishers"It's good to be reminded of the power wielded by this classic of American literature. As the introductory music fades and Sissy Spacek begins her narration, we immediately enter the small town in the Deep South where all the timeless issues of kindness and cruelty, inclusion and prejudice are played out in a story told by a little girl named Scout. Instead of offering a range of accents, Spacek reads the story entirely in her own, or Scout's, voice. The choice works, for the book is written from Scout’s point of view, and Spacek has just the right level of Southern accent for easy listening. This is an unforgettable story well told. 2007 Audies Award Winner." (AudioFile magazine)
"Atticus Finch is a timeless American hero who has been played by the likes of Gregory Peck in film and Jeff Daniels on the stage. But in Sissy Spacek’s narration of To Kill a Mockingbird, it’s Harper Lee’s narrator, Scout, who becomes the listener’s moral guiding light and closest confidante. You forget you’re listening to the voice of an adult, so wholly do Spacek’s Southern rhythms embody the young tomboy as she witnesses the racial injustices of the Depression-era South unfold before her." (The New York Times Book Review)