AWM Author Talks

Di: The American Writers Museum
  • Riassunto

  • In this weekly series, we air previously recorded conversations with leading authors, poets, graphic novelists, playwrights, songwriters, historians and more about craft, processes, influences, inspirations, and what it's like to live as a writer. These episodes are edited and condensed versions of our programs and they are a great way to discover new writers, listen to a program you missed, or relive a program that you loved!
    © 2021 The American Writers Museum
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  • Episode 190: Writing Latino History
    Sep 16 2024

    This week, to celebrate National Hispanic Heritage Month, hear from Marie Arana, the Literary Director of the Library of Congress. Joined by author Juan Martinez, Arana discusses the importance of preserving and uplifting Latino history and her new book LatinoLand: A Portrait of America’s Largest and Least Understood Minority.

    This conversation originally took place May 19, 2024 and was recorded live at the American Writers Festival.

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    About LatinoLand:

    "A perfect representation of Latino diversity" (The Washington Post), LatinoLand draws from hundreds of interviews and prodigious research to give us both a vibrant portrait and the little-known history of our largest and fastest-growing minority, in "a work of prophecy, sympathy, and courage" (Junot Díaz, Pulitzer Prize-winning author).

    LatinoLand is an exceptional, all-encompassing overview of Hispanic America based on personal interviews, deep research, and Marie Arana's life experience as a Latina. At present, Latinos comprise twenty percent of the US population, a number that is growing. By 2050, census reports project that one in every three Americans will claim Latino heritage.

    But Latinos are not a monolith. They do not represent a single group. The largest groups are Mexicans, Puerto Ricans, Dominicans, Salvadorans, and Cubans. Each has a different cultural and political background. Puerto Ricans, for example, are US citizens, whereas some Mexican Americans never immigrated because the US-Mexico border shifted after the US invasion of 1848, incorporating what is now the entire southwest of the United States. Cubans came in two great waves: those escaping communism in the early years of Castro, many of whom were professionals and wealthy, and those permitted to leave in the Mariel boat lift twenty years later, representing some of the poorest Cubans, including prisoners.

    As LatinoLand shows, Latinos were some of the earliest immigrants to what is now the US—some of them arriving in the 1500s. They are racially diverse—a random infusion of white, Black, indigenous, and Asian. Once overwhelmingly Catholic, they are becoming increasingly Protestant and Evangelical. They range from domestic workers and day laborers to successful artists, corporate CEOs, and US senators. Formerly solidly Democratic, they now vote Republican in growing numbers. They are as culturally varied as any immigrants from Europe or Asia.

    Marie Arana draws on her own experience as the daughter of an American mother and Peruvian father who came to the US at age nine, straddling two worlds, as many Latinos do. "Thorough, accessible, and necessary" (Ms. magazine), LatinoLand unabashedly celebrates Latino resilience and character and shows us why we must understand the fastest-growing minority in America.

    MARIE ARANA is a Peruvian-American author of nonfiction and fiction as well as the inaugural Literary Director of the Library of Congress. She is the recipient of a 2020 literary award from the American Academy of Arts & Letters. Among her recent positions are: Director of the National Book Festival, the John W. Kluge Center’s Chair of the Cultures of the Countries of the South, and Writer at Large for the Washington Post. For many years, she was editor-in-chief of the Washington Post’s book review section, Book World. Marie has also written for the New York Times, the National Geographic

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    41 min
  • Episode 189: The Lasting Influence of Lorraine Hansberry
    Sep 9 2024

    This week, we celebrate the legacy of Lorraine Hansberry with J. Nicole Brooks, Natalie Y. Moore, and Ericka Ratcliff. This conversation originally took place August 22, 2024 and was recorded live at the American Writers Museum.

    This program is presented in partnership with the Lorraine Hansberry Initiative, which was created by The Lillys (conceived by Lynn Nottage and Julia Jordan) to honor Lorraine Hansberry’s legacy through the tour and permanent placement of a figurative sculpture of the playwright, while investing in those following in her footsteps through the creation of a fellowship which supports the living expenses of women and non-binary writers of color during their pursuit of graduate degrees.

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    About the panelists:

    J. NICOLE BROOKS is an actor, author and director. Selected acting credits include Lottery Day (Goodman Theatre, New Stages Festival), Beyond Caring, Death Tax, and RACE (Lookingglass Theatre Company), Immediate Family (Center Theatre Group) and House Home (Shanghai Dramatic Arts Centre, China). Directing credits include Mr. Rickey Calls A Meeting, Thaddeus & Slocum: A Vaudeville Adventure and Black Diamond: The Years the Locusts Have Eaten. Brooks is author of HeLa, Fedra Queen of Haiti, Black Diamond, and 3 Weeks With Her Honor Jane Byrne. Television credits including recurring roles on Showtime’s The Chi and Comedy Central’s South Side. She is a multi-award winning artist honored by 3Arts, TCG Fox Foundation, National Endowment for the Arts, Black Ensemble Theatre Playwright of the Year, LA Ovation and Black Theatre Alliance. She is an ensemble member of Lookingglass Theatre Company.

    NATALIE Y. MOORE is an award-winning journalist based in Chicago, whose reporting tackles race, housing, economic development, food injustice and violence. Natalie’s acclaimed book The South Side: A Portrait of Chicago and American Segregation received the 2016 Chicago Review of Books award for nonfiction and was Buzzfeed’s best nonfiction book of 2016. She is the author of the play The Billboard, set in Chicago. She is also co-author of The Almighty Black P Stone Nation: The Rise, Fall and Resurgence of an American Gang and Deconstructing Tyrone: A New Look at Black Masculinity in the Hip-Hop Generation.

    ERICKA RATCLIFF works to amplify the mission of Congo Square by celebrating the complexities of Black life and culture on stage. She is a member of The Chicago Women In Philanthropy, Women’s Leadership Mentoring Program (WLMP), the 2023 Points of Light Conference Host Committee, and artEquity’s BIPOC Leadership Circle. Ericka is a nominee for Broadway World Chicago’s 2022 Regional Awards for “Best Direction of a Play” for her work on What To Send Up When It Goes Down and was recently featured in NewCity Magazine for her accomplished work in theatre. She is an artistic associate with Lookingglass Theater and was a recipient of the Chicago 3Arts Make A Wave Award in 2017.

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    56 min
  • Episode 188: Writing Labor History
    Sep 2 2024

    This Labor Day, we take a look at writing labor history with Steve Watkins, author of The Mine Wars: The Bloody Fight for Workers’ Rights in the West Virginia Coalfields, a riveting true story of the West Virginia coal miners who ignited the largest labor uprising in American history. Watkins is joined by labor historian Rosemary Feurer. This conversation originally took place May 19, 2024 and was recorded live at the American Writers Festival.

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    About The Mine Wars:

    In May of 1920, in a small town in the mountains of West Virginia, a dozen coal miners took a stand. They were sick of the low pay in the mines. The unsafe conditions. The brutal treatment they endured from mine owners and operators. The scrip they were paid-instead of cash-that could only be used at the company store.

    They had tried to unionize, but the mine owners dug in. On that fateful day in May 1920, tensions boiled over and a gunfight erupted-beginning a yearlong standoff between workers and owners.

    The miners pleaded, then protested, then went on strike; the owners retaliated with spying, bribery, and threats. Violence escalated on both sides, culminating in the 1921 Battle of Blair Mountain, the largest labor uprising in United States history.

    In this gripping narrative nonfiction book, meet the resolute and spirited people who fought for the rights of coal miners, and discover how the West Virginia Mine Wars paved the way for vital worker protections nationwide. More than a century later, this overlooked story of the labor movement remains urgently relevant.

    STEVE WATKINS is an award-winning author of twelve books for young readers, including Down Sand Mountain, which won the 2009 Golden Kite Award for young adult fiction. He also writes books for grown-ups, and won a Pushcart Prize for one of the stories in his collection My Chaos Theory. He is co-editor of the online ideas and features magazine Pie & Chai, a former English professor at the University of Mary Washington, a longtime yoga instructor, and father of four daughters. He and his family live in Fredericksburg, VA.

    ROSEMARY FEURER’S research and teaching interests focus on understanding the political economy of social conflict. She focuses on labor movements and conflict within the context of U.S. capitalist development spatially, socially and economically during the late nineteenth and twentieth century. Her new work follows the story that made for violent conflict in Illinois and also helped to make it the strongest unionized state in the nation, tentatively entitled The Illinois Mine Wars, 1860-1930. It covers the epic conflicts that helped to define Illinois as one of the strongest labor states in the nation. She is also working on a new biography of Mother Jones, the renowned labor activist and agitator of the Gilded Age and Progressive Era. She has always connected her research to public history projects, including tours, electronic media, oral history and video production. Feurer is the author of Against Labor: How U.S. Employers Organized to Defeat Union Activism and Radical Unionism in the Midwest, 1900-1950.

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    35 min
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