How can design help to make our failing prisons fit for purpose? In this episode of Design Emergency, our cofounder, Alice Rawsthorn, discusses the design deficiencies of one of the most troubled areas of many societies, our prison systems, and what can be done to make them rehabilitative rather than brutalizing, with the British criminologist, Yvonne Jewkes.

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Yvonne, who is Professor of Criminology at the University of Bath, where she also teaches in the School of Architecture, has visited over a hundred prisons worldwide to assess why they are failing, how they can be improved, and what role design can play in that process. She has also advised on the design of new correctional facilities in the UK, Ireland, Australia and New Zealand.

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In her recently published book, An Architecture of Hope, Yvonne explores the challenges confronting our overcrowded, underfunded, often understaffed prisons, while drawing on her research and practical experience to assess: “What we can do to make prisoners feel like people again, rather than like prisoners?”

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We hope you’ll enjoy this episode. You can find images of Yvonne and the prisons she refers to in her interview on our Instagram @design.emergency. Please join us for future episodes of Design Emergency when we will hear from other inspiring global design leaders who, like Yvonne, are tackling complex challenges and forging positive change.

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Design Emergency is supported by a grant from the Graham Foundation for Advanced Studies in the Fine Arts.

Hosted on Acast. See acast.com/privacy for more information.

Why should we care about data? Not only because “data is the new oil,” as British mathematician Clive Humby famously said in 2006, but also because data sets can contain the values, culture, and future of communities and society. In other words, data is us. Domestic Data Streamers, a design studio based in Barcelona since 2013, has worked to redefine how we engage with data, moving from visualization through diagrams and other graphic tools to actual data interaction and performance. In this episode, Paola Antonelli speaks with founding partner and director Pau Garcia and creative and research director Marta Handenawer.

With a background not only in design, but also in theater and improvisation, the founding members of DDS have set out to make complex information more human and accessible, evolving traditional data visualization into data experiences. They believe that data can move people emotionally, not just inform them, and they thus use every tool at their disposal––from analog, hands-on installations to generative AI––to make them come alive.

Among their most remarkable projects is Synthetic Memories, “a public service for reconstructing lost or undocumented memories using AI” that not only allows citizens to see their remembrances in photographs or videos that never existed, but also to file them along those of family members, neighbors, or compatriots to form a collective archive. In the case of survivors, refugees, and migrants, it can be a way to document a past life for future generations and make sure cultures are not entirely lost.

You can find images of Domestic Data Streamers’ work on our Instagram grid @design.emergency. Please join us for future episodes of Design Emergency when we will hear from other global design leaders who, like Pau, Marta, and their colleagues are at the forefront of positive change.

Design Emergency is supported by a grant from the Graham Foundation for Advanced Studies in the Fine Arts.

Hosted on Acast. See acast.com/privacy for more information.

How can architecture help us to address the escalating climate emergency? There are many ways it can do so: from ensuring that new buildings are designed to radically reduce carbon emissions during construction, to doing the same in terms of how they will function.

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The Swiss architect, Philippe Rahm, is at the forefront of this process through his experiments with what he calls climatic architecture, the theme – and title - of his latest book. In this episode of Design Emergency, Philippe tells our cofounder Alice Rawsthorn how he developed the concept of climatic architecture and is putting it into practice.

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Born in Switzerland, Philippe studied architecture there and in France, where he runs Philippe Rahm Architectes, which he founded ten years ago in Paris. His mission is to enable buildings to become more ecologically responsible by aligning them with their locations and climates to make the most of the light, humidity and other natural phenomena in order to minimise the use of fossil fuels in heating or cooling them.

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Philippe tells Alice how these principles have been applied to completed and ongoing projects including: Central Park in the Taiwanese city of Taichung, the entrance to Maison de la Radio et de la Musique in Paris, and, working in collaboration with OMA, the Scalo Farini project to redevelop two disused railway yards in Milan.

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We hope you’ll enjoy this episode. You can find images of Philippe and his work on our Instagram @design.emergency. Please join us for future episodes of Design Emergency when we will hear from other inspiring global design leaders who are forging positive change.

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Design Emergency is supported by a grant from the Graham Foundation for Advanced Studies in the Fine Arts.

Hosted on Acast. See acast.com/privacy for more information.

Things are not exactly looking up. While the climate emergency is undeniably advancing, however, a powerful cultural shift is also afoot––away from doomsday alarmism or resignation, and towards optimism.

Despite being a wide-awake scientist, Ayana Elizabeth Johnson is among those who are presenting to the world the constructive, energetic, even joyful side of the fight for climate justice.

Ayana is a marine biologist; the founder of Urban Ocean Lab, a think tank dedicated to addressing climate issues in coastal cities; a frequent advisor on environmental policy and strategy to governmental agencies, foundations, and multinational corporations; and an author. Her most recent book, What If We Get It Right? Visions of Climate Futures, is based on 30+ interviews in which she pokes scientists, designers, curators, and policy experts with that hard question, arm-wrestling them into optimism.

Ayana’s reliance on design and art, of particular relevance for Design Emergency, shows how instrumental these attitudes are if we want to imagine a better future for all, and then will it into being. In the book as well as in Climate Futurism, an exhibition she curated at Pioneer Works in New York, she paints a picture in which humanity successfully tackles climate challenges, offering actionable insights and highlighting the potential for a just and sustainable world.

You can find images related to Ayana’s work on our Instagram grid @design.emergency. Please join us for future episodes of Design Emergency when we will hear from other global design leaders who, like her, are at the forefront of positive change.

Design Emergency is supported by a grant from the Graham Foundation for Advanced Studies in the Fine Arts.

Hosted on Acast. See acast.com/privacy for more information.

Hosted on Acast. See acast.com/privacy for more information.

As architecture and construction are two of the biggest sources of carbon emissions on our planet, what can architects do to change this? In this episode of Design Emergency, the US architect, Jeanne Gang, tells our cofounder Alice Rawsthorn how she and her colleagues at Studio Gang in Chicago are designing new ways of reusing and repurposing existing buildings, as an ecologically responsible alternative to building new ones, through a process she calls “architectural grafting”.

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Jeanne is a prolific and ingenious architect whose work at Studio Gang includes: the Arkansas Museum of Fine Arts and the Gilder Center for Science, Education and Innovation at the American Museum of Natural History in New York. Among Jeanne’s projects currently being designed or under construction, are the new US Embassy in Brasilia and the Global Terminal at Chicago O’Hare Airport.

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She describes the defining theme of her practice as being to make “architecture that strengthens kinship among people, their communities and the natural world”. All Jeanne’s work is steeped in her research at Studio Gang, including an experimental project to protect the one billion-plus birds that die in the US each year after crashing into high-rise buildings, and as a Professor in Practice at the Harvard University Graduate School of Design, where her teaching focuses on the theories of reuse and resilience that she explores in her latest book, The Art of Architectural Grafting.

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We hope you’ll enjoy this episode. You can find images of Jeanne and her work on our Instagram @design.emergency. Please join us for future episodes of Design Emergency when we will hear from more inspiring and ambitious global design leaders at the forefront of positive change.

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Design Emergency is supported by a grant from the Graham Foundation for Advanced Studies in the Fine Arts.

Hosted on Acast. See acast.com/privacy for more information.

Visions of future worlds by storytellers of all kinds––filmmakers, writers, designers, and other artists––play an important role in our evolution. Whether they are utopias or dystopias, visual or verbal, they invite us to imagine what we could make of ourselves and of our planet, for good and for bad. Australian architect Liam Young is among the most respected and effective contemporary speculative designers and world-builders, focusing on the imagination of better worlds in which humankind recognizes its place and responsibility within nature––climate fiction.

The climate crisis is real, and real ideas and solutions need to be implemented with urgency. The citizens of the world need awareness to pressure the powers that be and demand action, and even engineers and scientists need inspiration. However far-off they may seem, Liam’s visions are based on current and available technologies, which he studies in depth to mine their positive attributes and attenuate their dangers.

Liam, who is based in Los Angeles and often collaborates with Hollywood productions as world-builder, discusses his personal practice, which explores the intersections of technology, culture, and the environment to create immersive narratives that envision alternative futures. By delving into two of his epic works––Planet City and The Great Endeavor––he explains how world building can shape our understanding of potential realities and inspire solutions to contemporary global challenges.

You can find images of Liam’s work on our Instagram grid @design.emergency. Please join us for future episodes of Design Emergency when we will hear from other global design leaders who, like Liam, are at the forefront of positive change.

Design Emergency is supported by a grant from the Graham Foundation for Advanced Studies in the Fine Arts.

Hosted on Acast. See acast.com/privacy for more information.

How can we make our lives fully accessible and inclusive? In this episode of Design Emergency, our cofounder Alice Rawsthorn explores this challenge with Sinéad Burke, whose mission is to campaign for inclusion and accessibility for everyone, for disabled people in particular.

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Having started out as a teacher in her native Ireland, Sinéad became increasingly involved in disability activism, determined to help fellow little people – she is who is 3 feet 5 inches tall - and everyone else in the 15% of the global population – more than 1 billion people – who lives with some form of disability.

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She does so as founder of Tilting the Lens, a consultancy with an all-disabled team, which advises organisations including Chanel, Gucci, Microsoft, NASA, Netflix and the V&A on how to embrace inclusivity. Sinéad herself champions the urgent need to make society fair and accessible through her roles as a member of the Irish Council of State; a former Miss Alternative Ireland; and as the cover star of not one, but two issues of British Vogue.

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We hope you’ll enjoy this episode. You can find images of Sinéad and her work on our Instagram @design.emergency. Please join us for future episodes of Design Emergency when we will hear from more inspiring and ambitious global design leaders who are changing our lives for the better.

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Design Emergency is supported by a grant from the Graham Foundation for Advanced Studies in the Fine Arts.

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Hosted on Acast. See acast.com/privacy for more information.

Hosted on Acast. See acast.com/privacy for more information.

Controlling technology means controlling the world. While this statement rings painfully true today, it is as old as the idea of technology itself. In other words, as old as humanity. In this episode, Paola Antonelli interviews renowned researcher, author, and artist Kate Crawford, a leading voice on the social, ethical, and planetary implications of all technologies––artificial intelligence in particular. Kate uses art and information design to manifest histories and connections that would otherwise remain invisible because of their long time span and complexity.

The interview is centered around one of Kate’s latest collaborations with artist-researcher Vladan Joler, “Calculating Empires: A Genealogy of Technology and Power, 1500-2025,” an ambitious 24-m (ca. 79 ft) long fresco that was conceived during the Covid pandemic, perfected in the isolation of a monastery in Montenegro, and is now traveling around the world, after an inauguration at the Prada Foundation in Milan in 2023.

Kate describes Calculating Empires as a visual history of the present––after French philosopher Michel Foucault’s theory––and shows how the dangerous intersection of technology and power we witness today has happened many times before. If we abandon our tendency towards short-termism, she believes, there is a lot we can learn from past experiences.

You can find images of Calculating Empire on Design Emergency’s Instagram platform, @design.emergency. Please join us for future episodes of Design Emergency when we will hear from other important voices who, like Kate, are at the forefront of positive change.

Design Emergency is supported by a grant from the Graham Foundation for Advanced Studies in the Fine Arts.

Hosted on Acast. See acast.com/privacy for more information.