Send your questions or provocations to Adam or Budi here!

In this penultimate episode of the year, we look back at what we think was the most influential of the year, the episode which sparked much discussion amongst Adam, Budi, and our many guests.
We hope you enjoy this re-release with some added commentary from Adam.

Support the show

If you enjoyed this week´s podcast, please leave a review on Apple Podcasts.

To submit a question:
Voice- http://www.speakpipe.com/theatreofothers
Email- podcast@theatreofothers.com

Show Credits
Co-Hosts: Adam Marple & Budi Miller
Producer: Jack Burmeister
Music: https://www.purple-planet.com
Additional compositions by @jack_burmeister

Send your questions or provocations to Adam or Budi here!

Robert Barry Fleming is the Executive Artistic Director of Actors Theatre of Louisville, KY. They have a varied portfolio and a wealth of experience as an artistic leader/administrator, producer, director, choreographer, performing artist, teacher and coach. Their directing/choreography credits include Laura Kaminsky’s transgender journey contemporary opera As One (KY Opera); the world premiere of Jonathan Norton’s I Am Delivered’t (Dallas Theatre Center/Actors Theatre of Louisville co-production); the world premiere of Grace, a new musical by Nolan Williams, Jr., and Pulitzer Prize nominee Nikkole Salter (Ford’s Theatre) which was honored as a Broadway World Winner for Best Direction of a Musical and Best Choreography of a Play or Musical; the Humana Festival of New American Plays Professional Training Company’s production of Vivian Barnes, Jonathan Norton and Gab Reisman’s Are You There?

Robert’s original ballet suite Hydra for Program 4 mixed repertory (Louisville Ballet); The world premiere of Idris Goodwin’s Ali Summit (Actors Theatre of Louisville), Once On This Island (Actors/Cincinnati Playhouse in the Park co-production), Native Gardens (Cleveland Play House), NEXT TO NORMAL (Tantrum Theater), The Royale (CPH), Destiny of Desire (OSF), Caroline Or Change (Tantrum Theater), and Between Riverside And Crazy (CPH).

Robert formerly served as Director of Artistic Programming at Arena Stage and Associate Artistic Director at Cleveland Play House. Arena Stage world-premieres commissioned, developed and/or championed under their watch include the 2017 Best Musical Tony-winner, Dear Evan Hansen, Mary Kathryn Nagle’s Sovereignty, John Strand’s The Originalist, Katori Hall’s Blood Quilt, Karen Zacarías’ Destiny of Desire and the 2017 Pulitzer Prize winner, Sweat by Lynn Nottage.

Robert was an Associate Producer for the Off-Broadway premiere of The Two Character Play by Tennessee Williams, starring Amanda Plummer and Brad Dourif. Robert is a proud member of the Professional Non-Profit Theatre Coalition (PNTC) planning committee endeavoring to evolve our relationship with governmental support for the arts as well as, our SDC, AEA, and TCG collectives working in solidarity for an equitable and sustainable praxis for our arts ecosystem.

Support the show

If you enjoyed this week´s podcast, please leave a review on Apple Podcasts.

To submit a question:
Voice- http://www.speakpipe.com/theatreofothers
Email- podcast@theatreofothers.com

Show Credits
Co-Hosts: Adam Marple & Budi Miller
Producer: Jack Burmeister
Music: https://www.purple-planet.com
Additional compositions by @jack_burmeister

Send your questions or provocations to Adam or Budi here!

In this episode, Adam and Budi chat with Joshua Morgan, the founder of Artist Strategy, to talk about the business side of an acting career. From financial planning to networking, they explore how artists can build sustainable careers while navigating the transition from training to the industry.

Joshua Morgan is a versatile actor, director, and educator who has performed at prominent theatres across the U.S., including Woolly Mammoth Theatre Company, Arena Stage, Theatre Under the Stars, Folger Theatre, Signature Theatre, and many more. He originated the role of legendary manager Shelly Berger in Ain’t Too Proud: The Life and Times of The Temptations on Broaday and stayed with the production for four years.

Before moving to New York to join the last revival of Les Misérables, Joshua co-founded No Rules Theatre Company, the first dual-city theatre based in Washington, D.C., and Winston-Salem, NC. During his tenure, he produced award-winning premieres, directed acclaimed productions, and developed outreach programs for underrepresented communities, including the Deaf/Hard of Hearing.

As a director, his credits include In Love and Warcraft (Helen Hayes Nomination), Hedwig and the Angry Inch, The Last Five Years, and more. He has taught at esteemed institutions such as American University, Gallaudet University, and the University of North Carolina School of the Arts.

Joshua is also the founder of Artist's Strategy, an organization dedicated to helping freelance artists build sustainable careers and co-host of Creative Risk, a podcast exploring all things art, entrepreneurialism and everything in-between.
Follow him on all platforms at @jmorganarts.

Support the show

If you enjoyed this week´s podcast, please leave a review on Apple Podcasts.

To submit a question:
Voice- http://www.speakpipe.com/theatreofothers
Email- podcast@theatreofothers.com

Show Credits
Co-Hosts: Adam Marple & Budi Miller
Producer: Jack Burmeister
Music: https://www.purple-planet.com
Additional compositions by @jack_burmeister

Send your questions or provocations to Adam or Budi here!

In this episode, Budi and Adam sit down with Amarantha Robinson, the playwright and performer of "ILARUN: The Cutting Comb", which also features company members Jack Burmeister and Jade Hibbert.

Amarantha is a multi-talented artist with a passion for producing, performing, and writing. Born and raised in Kingston, Jamaica, Amarantha has been involved in the arts since the age of five, specializing in Afro-Caribbean dance. She honed her skills with L'Acadco Dance Company, the University of the West Indies Dance Society, and the National Dance Theatre Company of Jamaica while studying Media and Communication at the University of the West Indies.

After completing her degree, Amarantha became a familiar face on Jamaican television as the host and producer of the entertainment news show, Review on RETV. She then transitioned into freelance producing and production management for music videos and television shows, working with icons such as Shaggy and Sean Paul.

​Amarantha pursued further education in the UK, earning a Master's degree in Film and TV Production from London Metropolitan University. In 2011, she made the bold move to immigrate to Australia on her own, facing the challenges of being an immigrant woman of colour in a new country.

​Her first one-woman show, "Oshun," was developed with the help of a City of Melbourne Annual arts grant, and it premiered to sold-out audiences at La Mama theatre in December 2022. Due to its success, the play will be remounted in La Mama's main season in 2024.

Show Notes
Zora Neale Hurston
A People's History of the United States
Equity & Racial Literacy List

Support the show

If you enjoyed this week´s podcast, please leave a review on Apple Podcasts.

To submit a question:
Voice- http://www.speakpipe.com/theatreofothers
Email- podcast@theatreofothers.com

Show Credits
Co-Hosts: Adam Marple & Budi Miller
Producer: Jack Burmeister
Music: https://www.purple-planet.com
Additional compositions by @jack_burmeister

Send your questions or provocations to Adam or Budi here!

In this episode, Adam and Budi are joined by Andy Paris. Join us as Andy talks through the process of creation of 'The Laramie Project', to his personal practice.

Andy Paris is a director, writer, actor, teacher, and entrepreneur. As an original member of Tectonic Theater Project, he co-wrote and directed Uncommon Sense, developed and acted in Gross Indecency and The Laramie Cycle (Emmy nomination for writing) and co-wrote the book, Moment Work: Tectonic Theater Project’s Process of Devising Theatre (Vintage 2018). Other favorite directing projects include Goldstar, Ohio (A Times Newspaper’s Theatre Tribute for Outstanding Direction), The American Family, and at UNCSA: Inheritance and the Taub/Woolery musical adaptation of As You Like It. Other favorite acting credits include Or,, The Quiet Room, Innocents, The Necklace, and Love’s Labours Lost. Regional: La Jolla, Berkely Rep, Huntington, Cincinnati Playhouse, et al. TV: L&O SVU. Andy is a 3-time AUDIE Award winner for his audiobook narrations. www.andyparis.net www.voiceworksaudio.com

Support the show

If you enjoyed this week´s podcast, please leave a review on Apple Podcasts.

To submit a question:
Voice- http://www.speakpipe.com/theatreofothers
Email- podcast@theatreofothers.com

Show Credits
Co-Hosts: Adam Marple & Budi Miller
Producer: Jack Burmeister
Music: https://www.purple-planet.com
Additional compositions by @jack_burmeister

Send your questions or provocations to Adam or Budi here!

In this episode, Budi reflects on the 2024 US presidential election.

Support the show

If you enjoyed this week´s podcast, please leave a review on Apple Podcasts.

To submit a question:
Voice- http://www.speakpipe.com/theatreofothers
Email- podcast@theatreofothers.com

Show Credits
Co-Hosts: Adam Marple & Budi Miller
Producer: Jack Burmeister
Music: https://www.purple-planet.com
Additional compositions by @jack_burmeister

Send your questions or provocations to Adam or Budi here!

In this episode, Budi sits down with Richard Schechner to talk about his extradoinary career in theatre.

Richard Schechner, one of the founders of Performance Studies, is a performance theorist, theater director, author, editor of TDR and the Enactments book series, University Professor, and Professor of Performance Studies. Schechner combines his work in performance theory with innovative approaches to the broad spectrum of performance including theatre, play, ritual, dance, music, popular entertainments, sports, politics, performance in everyday life, etc. in order to understand performative behavior not just as an object of study, but also as an active artistic-intellectual practice. He founded The Performance Group and East Coast Artists. His theatre productions include Dionysus in 69, Commune, The Tooth of Crime, Mother Courage and Her Children, Seneca's Oedipus, Faust/gastronome, Three Sisters, Hamlet, The Oresteia, YokastaS, Swimming to Spalding, and Imagining O. His books include Public Domain, Environmental Theater, Performance Theory, The Future of Ritual, Between Theater and Anthropology, Performance Studies: An Introduction, and Performed Imaginaries. As of 2018, his books have been translated into 18 languages. His theatre work has been seen in Asia, Africa, Europe, and North America. He has directed performance workshops and lectured on every continent except Antarctica. He has been awarded numerous fellowships including Guggenheim, NEH, ACLS, and fellowships at Dartmouth, Cornell, Yale, Princeton, and the Central School of Speech and Drama, London.

Support the show

If you enjoyed this week´s podcast, please leave a review on Apple Podcasts.

To submit a question:
Voice- http://www.speakpipe.com/theatreofothers
Email- podcast@theatreofothers.com

Show Credits
Co-Hosts: Adam Marple & Budi Miller
Producer: Jack Burmeister
Music: https://www.purple-planet.com
Additional compositions by @jack_burmeister

Send your questions or provocations to Adam or Budi here!

In this episode, Adam and Budi sit down with Yao to discuss their career spanning theatre and film.

Support the show

If you enjoyed this week´s podcast, please leave a review on Apple Podcasts.

To submit a question:
Voice- http://www.speakpipe.com/theatreofothers
Email- podcast@theatreofothers.com

Show Credits
Co-Hosts: Adam Marple & Budi Miller
Producer: Jack Burmeister
Music: https://www.purple-planet.com
Additional compositions by @jack_burmeister