Titoli in Studi sui media

Plus-size fashionistas have been writing their own narrative for the past two decades, creating a market all on their own that is now worth more than $21 billion dollars. The Power of Plus features interviews with trailblazers such as Tess Holliday, Hunter McGrady, Gabi Gregg, and more, as it follows the evolution of plus-size fashion from its start on small blogs to its current boom, examines the way this market has changed women’s relationships with their bodies, and predicts how plus-size fashion is integral to the future success of the industry.

The Oscar-nominated actor Elliott Gould narrates this true story of recent developments and brand-new declassified evidence, now clearly showing that there’s much, much more than meets the public eye about the secret life, and purported death, of Yuri Gagarin.

¿De dónde surge el pensamiento conspiranoico? Para Noel Ceballos, la conspiranoia es un marco paranoico con el que enfrentarse a un mundo cada vez más complejo y caótico. Una fórmula mágica con la que reordenar la cacofoniá informativa cotidiana hasta dar con una narración satisfactoria. Pero las teoriás conspirativas actuales no son nuevas, sino meras actualizaciones de elaboradísimas falsedades o burdas mentiras - con apariencia de verdad - que llevan siglos circulando por las sociedades occidentales.

As World War II approached, the six most powerful media moguls in America and Britain tried to pressure their countries to ignore the fascist threat. The media empires of Robert McCormick, Joseph and Eleanor Patterson, and William Randolph Hearst spanned the United States, reaching tens of millions of Americans in print and over the airwaves with their isolationist views.

Los charlatanes de la era digital se cuelan todos los días en la actualidad informativa y cada vez es más difícil discernir la verdad entre las mentiras y las medias verdades. "Bullshit" es el ensayo que necesitamos para desenmascarar a los que manipulan los datos y se sirven del lenguaje científico para construir un discurso que no se ajusta a la realidad.

Imagine losing a loved one in the public eye. A media frenzy ensues and spreads your family name through the news. Reporters ambush you, and across the country, strangers gossip about your personal loss. Welcome to the circus. In Media Circus, Kim Goldman, now a dedicated victims' advocate who works with families across the country, presents the first collective look at these ordinary, grieving victims - forced to manage their very private trauma and despair in a very public way.

When Moya Bailey first coined the term misogynoir, she defined it as the ways anti-Black and misogynistic representation shape broader ideas about Black women, particularly in visual culture and digital spaces. She had no idea that the term would go viral, touching a cultural nerve and quickly entering into the lexicon. Misogynoir now has its own Wikipedia page and hashtag, and has been featured on Comedy Central’s The Daily Show and CNN’s Cuomo Prime Time.

A field guide to the visionaries and the fans who are reinventing the art of storytelling. Not long ago we were spectators, passive consumers of mass media. Now, on YouTube and blogs and Facebook and Twitter, we are media. And while we watch more television than ever before, how we watch it is changing in ways we have barely slowed down to register. No longer content in our traditional role as couch potatoes, we approach media as experiences to immerse ourselves in at will.

Gorgeous War argues that the Nazis used the swastika as part of a visually sophisticated propaganda program that was not only modernist, but also the forerunner of contemporary brand identity. When the United States military tried to answer Nazi displays of graphic power, it failed. In the end the best graphic response to the Nazis was produced by the Walt Disney Company.