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When Esme Quentin is engaged to research the history of an ancient mill owned by her client, Anna Brannock, she stumbles upon a bitter family feud, tales of witchcraft and a century-old allegation of murder. As Esme digs deeper, the past begins to converge on the present, when Anna becomes the target of a disturbing campaign, echoing menacing events from many years before. Can a nineteenth century curse still wield its formidable power? What connects Anna with the twenty-four-year-old mystery concerning the whereabouts of the charismatic Ellen Tucker?

Twenty years ago, during a family holiday on the savage and remote island of Little Auger, eleven-year-old Hazel left her bed and was never seen again. The unanswered questions surrounding Hazel’s disappearance tore three families apart and the girls left behind all experience their own terrible guilt. Roz, because she broke a promise; Catrin, because it was her idea; and Nina, who slept through it all. Their friendship never recovers and all three women go on to lead vastly different lives.

Two young women are found murdered in the heart of London. There are no answers, only a single red rose left on each young woman's body, the calling card of a cold-blooded killer. Could the Whitechapel murderer be stalking the streets of London once more? For Mikaela and Brodie, the crime is highly personal. The first victim was an accomplished musician who gave lessons to ladies of society, including their ward, Lily. She had become a close friend to the girl, and Lily asked them to take the case to find the killer.

Esme Quentin is reminded of a painful past when Max Rainsford, a journalist colleague of her late husband Tim, turns up unannounced asking about a story Tim reported on thirty-five years ago—the murder of an old soldier. Esme, wary of Max's motives, declines to get involved.

Algernon is at the end of his life. His granddaughter is at the start of hers. But they have more in common than they think. Every day of Algernon's 97 years has been broken up into an ordered routine. That's how it's been since the war, and he's not about to change now. Until his 15-year-old granddaughter arrives on his doorstep, turning Algernon's black-and-white life upside down. Everything from Anna's clothes to the way she sits glued to her phone is strange to Algernon, and he's not sure he likes it.

Anna Francis lives in a tall old house with her father and her doll Penelope. She is a refugee, a piece of flotsam washed up in England by the tides of the Great War. Once upon a time, she had a mother and a brother, and they all lived together in the most beautiful city in the world. But that is all gone now, and only to her doll does she ever speak of it. And then one winter day, she finds an interloper in the attic. A boy named Luca with yellow eyes, who is as alone as she is. That day, she’ll lose everything in her life, and find the only real friend she may ever know.

Autumn Raine is a pop vocalist at the very top of her game. She's a style icon, the paparazzi's darling and everyone wants to be her friend. But when her safety is threatened, her whole life starts to unravel...and the police cannot know. Enter Nathan Regan, an ex-elite SAS soldier who is assigned to protect her. He's a good man doing bad things, but what drives him? Passion? Madness? Or grief? Eluding kidnap and trying to stay alive, can Autumn find the strength to be the person she longs to be? And can two people, poles apart, forge something strong enough to survive anything?

Esme Quentin's arrival in north Devon is marred by the gruesome discovery of a fatally injured woman at the foot of Warren Cliff. Esme is troubled by the woman's final words and curious about the old photograph clutched in her hand. The police, however, dismiss Bella Shaw's death as accidental. But Bella's daughter, Neave, has her own questions and approaches Esme for help. The subsequent trail leads Esme back to the brutal penal history of nineteenth century England and the mystery of a Devon convict girl transported to Australia for her crime.

Mikaela Forsythe has returned from her safari in Africa with Lily and her great-aunt. She's survived to fight another day, which is more than can be said for one Anthony Collingwood, the victim in the latest murder investigation thrust upon her by Sir Avery of the Special Services Agency. But she made an agreement in order to save Brodie's life, and now she must honor it. It's a particularly sensitive case, as the victim is a close friend of the Prince of Wales and a man who apparently led a double life.

Coco is having a hell of a month. She’s lost her boyfriend and her business, been forced to uproot her daughter to move back in with her parents in Paris, and now an infuriatingly handsome stranger is yelling at her for acting like a tourist… Right underneath the Eiffel Tower. Storming away from him – and swearing off men for life – she decides she’s going to take the first job that comes her way. Then, as if fate hears her, later that day she stumbles into a little bookshop – but not any old bookshop.

When her father dies unexpectedly, Beth Macintosh rushes home to the island of Anglesey to be by her mother’s side. Stepping into the converted windmill she once called home, Beth is flooded with memories of her childhood spent on the island. Then she encounters Megan Williams, her estranged best friend. Fifteen years of silence and secrets have kept them apart, with Beth pursuing city life while Megan remained on the island, isolated and weighed down by painful regrets.

Esme Quentin is devastated when her sister Elizabeth is assaulted and left unconscious, miles from her home. Two days later Esme discovers that Elizabeth has a secret past. Desperate for answers which the comatose Elizabeth cannot give, Esme enlists the help of her friend Lucy to search for the truth, unaware of the dangerous path she is treading. Together they unravel a tangle of bitterness, blackmail, and dubious inheritance, and as the harrowing story is finally revealed, Esme stumbles upon evidence of a pitiful crime.

Mikaela's inquiry services are requested by the wife of a prominent London surgeon after he has disappeared, while Brodie is sent to track down rumors of a planned attack in London by the anarchist known as the Black Hand. It is a time of dangerous unrest across the whole of Europe, and they realize the two cases may be connected when the doctor is found murdered at a secret office in the East End where he performed certain procedures. It is also the place where the anarchist was followed, only to disappear. What was the reason for secrecy regarding that specific office?

When Muriel Carew attends a lavish society party, the last person she expects to bump into is her ex-fiancee Henry Jekyll, a man she's not seen for many years. When Jekyll turns out to be investigating a series of missing persons in London, Muriel is intrigued. But Jekyll is not working alone, and if Muriel wants to aid in the investigation, she must work with both Henry and his partner, the monstrous and uncouth Mr Hyde.

Even before the night her childhood shattered, she was never normal. Her mind can process people and situations at lightning speed, she has the ability to recall anything she sees or hears with perfect clarity, and she can separate from herself if she needs to—making her difficult to torture, to intimidate. In summary, she is the perfect mercenary. A life in the shadows where she can stay in darkness is fine by her. That is until he tries to pull her into the light.

Shy, reclusive Frankie and her best friend Lou obsessed over Thomas G. Longley, as they reverently refer to him, for their entire first two years of medical school. So when he publicly humiliated her at the student bar, she was devastated. Ten years later, Frankie has to work in the testosterone-driven environment of cardiology before she can start her palliative care training, and to her dismay, Tom is her boss.

For decades Emma Bowen has hoped she and her mother, Margaret, might find a way back into each other’s lives. Even as a child, her strongest connection to her mother was a painting Margaret created before Emma was born, of a little girl lost in a maze. So when Margaret dies, gifting the painting to a total stranger, Emma is consumed by grief—for her mother, the little girl, and the relationship they never had.

Everybody loves Katie. With her bubbly personality, her beauty, her never-ending supply of care and support for her patients and friends, and her huge sense of fun, there's very little to dislike. Yes, she's a bit scatty, she tends not to sweat the small stuff (like an engine light on her dashboard—that is, until her Mini won't start anymore), and she can talk the hind legs off a donkey, but none of that stops most people from thinking she's pretty damn adorable. Well, most people, other than Sam, that is.

The pretty little streets of Montmartre are abuzz with a rumour. Apparently a mystery matchmaker, known only as ‘Paris Cupid’, has somehow helped the city’s most famous bachelor find love. But old-fashioned romantic Lilou is staying very quiet. She’d just wanted to set up her best friend, and to get on with her life selling whimsical old love letters, in Paris’s famous St. Ouen market. She hadn’t imagined her little Paris Cupid project could ever have attracted so many people looking for true, heartfelt romance.

1927. Violet Mackenzie-Grant is embarking on her dream of studying at the Edinburgh School of Gardening for Women. She doesn’t yet know that it’s a journey that will take her to Kathmandu and beyond, deep into captivating landscapes and cultures that are worlds away from everything and everyone she’s left behind in Scotland.