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We chart Alan Bishop’s leap from an established distillery to Old Homestead, how he rebuilt his stills, and why he’s doubling down on experiential spirits. We taste and unpack Wickliffe Bell at 139.2 proof—peat-smoked oats, smoked apples, clean cuts, and a rest that polishes without erasing character.
• Reinvention after French Lick and owning the build at Old Homestead
• Pot still aging limits and why barrel babysitting matters
• Labels that free creativity: whiskey from a bourbon mash
• Making uncommon whiskey for common people as a guiding idea
• The Old Homestead campus and “Alcohol Acres” destination
• Wild Newton Stewart yeast capture and sense of place
• Wycliffe Bell process, thumpers, peat, apples, and cask strength
• Water, highballs, and choose-your-proof tasting
• Upcoming Rise & Shine trio and barrel-rested sunshines
• New absinthe and gin releases, plus where to find Alan’s work
The best spirits don’t just taste like a place—they tell you its story. We sit down with Alan Bishop for his record-setting return to talk about leaving a legacy brand, hand-building a new distillery at Old Homestead, and charting a bolder future where labels serve flavor, not the other way around. If you’ve ever wondered how a distiller reinvents without losing soul, this is a masterclass in making uncommon whiskey for common people.
Alan opens up about the real arc of starting over: the existential first year, the stubborn stills, and the moment the “house character” finally reveals itself. He explains why pot still whiskey has a sweet spot, how to babysit barrels so wood doesn’t swallow grain, and why he’s transparent about using “whiskey distilled from a bourbon mash” to unlock honest flexibility—used oak, varied entry proofs, and subtle pre-distillation botanicals—while telling drinkers exactly what’s in the glass.
Then we dive into Wickliffe Bell, a cask-strength Black Forest Spirit at 139.2 proof that drinks shockingly gentle. Oats malted by Sugar Creek are peat-smoked with Irish turf, apples are smoked and loaded into a thumper, and the cut is clean like a white distillate before a short rest in new oak. The result is apple-oat warmth, soft phenolics that read like hickory-kissed smoke, and a choose-your-own-proof journey that blooms with a splash of water or lifts in a smoky highball. It’s not bourbon. It’s not scotch. It’s a place in a bottle.
We also map the broader canvas: Bartels & Bishop hitting distribution, limited Old Homestead bourbon kept intentionally scarce, the Rise & Shine trio (citrus, jasmine-chamomile, hickory bark) riding the thumpers, and a new absinthe that merges Old World method with New World botanicals. Along the way, Alan talks underdog grit, storytelling as craft, and building “Alcohol Acres”—a lakeside destination that pairs serious spirits with a weekend worth remembering.
If you care about flavor, place, and where American whiskey goes next, press play. Then tell us how you took your pour—neat, water, or highball—and leave a review so more curious drinkers can find the show.
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