Titoli in Radio

Come si dà voce ai personaggi di un audiolibro? Come si entra nello spirito di una trama? Sono alcune delle domande che rivolgiamo a chi gli audiolibri li scrive, li pubblica e, soprattutto, li legge - attrici, attori, doppiatori e speaker -, in questo podcast che ogni 15 giorni racconterà due titoli (una novità uscita da poco e un classico della letteratura, o uno dei libri che hanno appassionato di più gli ascoltatori negli ultimi anni).

A full-cast BBC Radio 4 dramatisation of Terry Pratchett & Neil Gaiman’s celebrated apocalyptic comic novel, with bonus length episodes and outtakes. According to the Nice and Accurate Prophecies of Agnes Nutter, Witch, the world will end on a Saturday. Next Saturday in fact. Just after Any Answers on Radio 4….Events have been set in motion to bring about the End of Days. The armies of Good and Evil are gathering and making their way towards the sleepy English village of Lower Tadfield.

Beneath the streets of London there is another London. A subterranean labyrinth of sewers and abandoned tube stations. A somewhere that is Neverwhere....

Bertie Wooster is living the high life as an English gentleman in New York. But when he's instructed to look after young Wilmot, a fearful drip who just happens to be the son of the fearsome Lady Malvern, matters become jolly complicated jolly quickly. And for some reason, Bertie's valet, Jeeves, refuses to be of any help at all. What's to be done?

In Shakespeare's most controversial play, the opposing values of justice and mercy must be resolved. Antonio promises money to help his friend Bassanio woo Portia. He borrows the sum needed from the cruel Shylock, but there will be a dreadful penalty if the loan is not repaid. The golden world of Portia's Belmont calls forth some of Shakespeare's most lyrical love poetry. But the dark shadow of Shylock is never far from the heart of this brilliant comedy as it moves toward its courtroom climax.

This highly entertaining BBC Radio 4 series is written and presented by Bill Bryson and based on his best-selling book, Mother Tongue. In it, he romps through the history of Britain to reveal how English became such an infuriatingly complex - but ultimately world-beating - language.

L'opera fa parte del progetto "Radiovisione, scena e retroscena radiofonica" diretto da Sergio Ferrentino. "Un radiodramma, a leggerlo, non sa di niente, bisogna ascoltarlo, o meglio ancora vederlo": così è stato allestito al Teatro Gobetti di Torino e il pubblico, dotato di cuffie, ha potuto spiare in diretta attori e rumoristi in scena.

Once upon a time in the middle of winter, when the flakes of snow were falling like feathers from the sky, a queen sat at a window sewing, and the frame of the window was made of black ebony. And whilst she was sewing and looking out of the window at the snow, she pricked her finger with the needle, and three drops of blood fell upon the snow. And the red looked pretty upon the white snow, and she thought to herself, "Would that I had a child as white as snow, as red as blood, and as black as the wood of the window-frame." blood, and as black as the wood of the window-frame." Soon after that she had a little daughter....

As they ride along in their carriage, beyond them on the road they see a man hailing them to stop. It is a tall man in a cape and wide brimmed hat, and he tells Heir Gerard Dahl that he has been waiting for him to return from Rotterdam. Dahl is the uncle and guardian of Rose Falderkaust, and the caped man tells him that he will visit him tonight at seven o’clock at his studio on an urgent matter.

Within each man, there lies the capacity for infinite good...and infinite evil. Dr. Henry Jekyll: Good-natured, friendly and sociable. Mr. Edward Hyde: Misanthropic, violent and uncontrollable. Prosecutor Gabriel John Utterson, a friend of Jekyll’s, is about to be plunged into the worlds of both men - and will discover the terrifying secret that binds them. From the rain-slicked streets of London to the innermost depths of the human psyche, the Colonial Radio Theatre brings Robert Louis Stevenson’s masterpiece to life.

"Jeeves Takes Charge": In which the incomparable silly-ass Bertie Wooster makes the acquaintance of the world's foremost gentleman's personal gentleman, Jeeves. Together, they are thrust into a dashed tricky situation concerning Uncle Willoughby's memoirs. "Extricating Young Gussie": On the instructions of his fearsome Aunt Agatha, Bertie is packed off to New York, ordered to prevent his cousin Gussie Mannering-Phipps from going into vaudeville.

Lewis Carroll's Alice in Wonderland comes to life again in this dramatized version of the timeless classic, with stellar performances by Georgia Lee Schultz as Alice, and multi-award-winning Barbara Rosenblat as the Mouse, Duchess, Cheshire Cat, and the Queen. This version features a full cast of characters, music, and sound effects and introduces the original song "My Garden Back Home."

"The Aunt and the Sluggard": I say! What's to be done with Bertie Wooster's chum Rockmetteller Todd? Rocky's Aunt Isabel wants him to live the life of a New York socialite but the poor chap loathes the city with his whole bohemian soul...."Jeeves and the Hard-Boiled Egg": Dear old Bicky (also known as Alistair Bingham-Reeves) is in the most frightful spot of bother. His uncle, the Duke of Chiswick, don't you know, thinks Bicky is on a ranch in Colorado, when he's actually living in New York and dreaming about chickens.

The story that inspired the famous Twilight Zone episode! "People Are Alike All Over" (which starred Roddy McDowall) became one of the most famous episodes of that classic television series. That memorable script was adapted from veteran science fiction author Paul W. Fairman's story for Fantastic Adventures magazine, where it was published under it's original title "Brothers Beyond the Void".

A large, powerful gent of Scotland and his small companion engage in a nautical life of crime.

Scripting Empire recovers the literary and cultural history of West Indian and West African writing at the BBC in order to rethink the critical mid-century decades of shrinking British sovereignty, late modernism, and mass migration to the metropole. Scripting Empire works comparatively across dozens of different programs spanning the General Overseas Service, Home Service, Light Program, and Third Program.

John Madden is synonymous with football. He was the television face and voice of the nation’s most popular sport, the namesake of its best-selling sports video game, and the man with the highest career winning percentage of any NFL coach. Despite his international fame, there was a side of Madden known only to those who listened to morning radio broadcasts in the San Francisco Bay Area. That’s where Madden grew up, lived, and died. It's where for decades he found joy in a daily chat with his hometown radio station: a chance to unwind, tell stories, and impart his own brand of wit and wisdom.

Jewell uncovers how battles to control college radio were about more than music—they were an influential, if unexpected, front in the nation's culture wars. These battles created unintended consequences and overlooked contributions to popular culture that students, DJs, and listeners never anticipated. More than an ode to beloved stations, this book will resonate with both music fans and observers of the politics of culture.

This collection of William L. Shirer’s radio broadcasts tells the vivid story of WWII and brings the suspense of the times to life for today’s audience. As the first journalist hired by CBS to cover the war in Europe, Shirer compiled two and a half years’ worth of wartime broadcasts including Hitler’s invasion of Austria, the armistice between France and Nazi forces in June of 1940, daily roundups of news from Paris, Vienna, Berlin, London and Rome, documenting the conditions of these countries under invasion.

Much like The Lux Radio Theater, The Screen Guild Players presented radio dramatizations of popular movies of the era, usually with the original film stars at the microphone. Condensing a full-length film story into a twenty-two-minute radio play presented considerable challenges to the writers (in 1950-51, the series was expanded to a full hour). Broadcast from 1939 until 1952 for sponsors Gulf Oil, Lady Esther Cosmetics, and Camel Cigarettes, nearly every major Hollywood star made an appearance, including Frank Sinatra, Humphrey Bogart, Joan Crawford, and more.