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Henry Fielding è considerato uno dei padri fondatori del romanzo realista inglese. Tale scopo sarà pienamente raggiunto da Fielding nel suo capolavoro, Tom Jones (1749), uno dei più grandi romanzi della letteratura inglese. La storia narra le divertenti disavventure e peregrinazioni del giovane Tom Jones e della sua amata Sophia Western unendo a una trama sapiente e a pagine di garbata satira personaggi di grande efficacia e presenza, per fornire uno spaccato della società inglese dell'epoca. Cornice musicale di Georg Friedrich Haendel.

Tom is thrown out of his foster father's house for "crimes" that he didn't commit, and proceeds to have numerous bawdy adventures and fights, eventually finding that only his true love can save him from a life that could possibly end at the gallows.

Tom Jones, a foundling, is brought up by the kindly Mr. Allworthy as if he were his own son. Forced to leave the house as a young man after tales of his disgraceful behavior reach his benefactor's ears, he sets out in utter despair, not only because of his banishment but because he has now lost all hope of gaining the hand of the beautiful Sophia. But she too is forced to flee her parental home to escape an undesirable marriage and their stories and adventures intertwine.

Tom Jones is a splendid Hogarthian panorama of 18th century English life and morals, encompassing both city and country, and comprising some of the greatest comic characters in British literature. First published in 1749, it was an instant success and has gone on to become a classic of its genre. Quite simply, there has never been anything like it.

A foundling of mysterious parentage, Tom Jones is brought up by the benevolent and wealthy Squire Allworthy as his own son. Tom falls in love with the beautiful and unattainable Sophia Western, a neighbor’s daughter, whose marriage has already been arranged. When Tom’s sexual misadventures around the countryside get him banished, he sets out to make his fortune and find his true identity.

Fielding's rollicking comic masterpiece sparkles with life in this BBC Radio 4 full-cast dramatization. Abandoned child Tom is raised by the rich and benevolent squire Mr. Allworthy, much to the chagrin of Allworthy's mean-natured nephew Blifil, and develops into a good-natured rake. But Tom's inability to resist a pretty face lands him in hot water when he impregnates Blifil's betrothed. When the lovely Sophia runs away to London, Tom pursues, embarking upon a series of riotous and amorous adventures.

In one of the first novels in the English language, we follow the picaresque adventures of Joseph Andrews, a virtuous young man who is keen to maintain his innocence despite being coerced by nearly every woman he encounters.

Shamela is a bawdy, spirited, and hilarious response to Samuel Richardson's hugely popular 1740 novel, Pamela. In this pointed satire, Shamela (which transpires to be the real name of Richardson's Pamela) reveals the ulterior motives behind the events that took place in Pamela. Shamela is unlike the virtuous young lady portrayed in Richardson's novel and she takes command of her master, Squire Booby. Our heroine has planned it all out from the start and she is determined to entrap her master into marriage.

The ‘Voice of the Year’ competition introduced and sponsored by Naxos AudioBooks and The Times books pages, edited by Erica Wagner, took place in Spring 2004. Readers without any formal drama training or professional acting experience were invited to send in recordings of a short extract of either Dickens, Austen or from The Wind in the Willows by Kenneth Grahame and an own choice. The judging panel - Martin Jarvis, Juliet Stevenson, and Anton Lesser, with John Tydeman, David Timson, and Christina Hardyment....

The real Jonathan Wild, born about 1682 and executed at Tyburn in 1725, was one of the most notorious criminals of his age. His resemblance to the hero in Fielding's satire of the same name is general rather than particular. The real Jonathan (whose legitimate business was that of a buckle-maker) like Fielding, won his fame, not as a robber himself, but as an informer, and a receiver of stolen goods.