Risultati letto da "Alexandra Cohler" in Tutte le categorie

The Orchard is a poignant memoir of a young woman's single-handed struggle to save her New England farm in the depths of the Great Depression. Discovered by the author's daughter after the author's death, it tells the story of Adele "Kitty" Robertson, young and energetic, but unprepared by her Radcliffe education for the rigors of apple farming in those bitter years of the early 1930s. Alone at the end of a country road, with only a Great Dane for company, plagued by debts, broken machinery, and killing frosts, Kitty revives the old orchard after years of neglect.

I travelled to Verkoon to be matched as someone's mate, but the only matchmaking happening is me being paired with the gruff General . . . as his nanny. Thankfully, he's so damn hot I don't mind being kept at a distance—as long as I'm still allowed to look. Between breakfast together and play dates throughout the ship, we've gone from playing house to feeling like a real family. And with the way General Lokin looks at me, I forget where the line is for a little while. Oops! There's only one reason that a Vakhing's blood sings—and I know that the General's sings for me.

Life is about survival-not romance-but her Vahking Prince never got the memo. While I'm searching for my missing brother, I find myself in a dark alley with the wrong people. Too bad the hero that saves me is no better. He thinks he can win me over with sweet words, but I show him that I'm a girl of action . . .

Nine-year-olds Max Sassaport and Ruby Johnson are best friends who can't imagine a world where they aren't together. Unfortunately, no one-not their families, nor anyone else in rural Georgia in 1906-wants to see a White middle-class Jewish boy get too close to the Black daughter of a sharecropper. It's only a matter of time before fate will separate the two. And that day comes on the eve of Ruby's womanhood, when a violent act sends her running from her home to the life of a child laborer at the National Pencil Factory in Atlanta.

Humans are seen as weak. Helpless. Crude. And yet, I hold the heart of the Vakhing King. Thor found me battered and beaten-he believed me to be frail-but I taught that Vakhing what it means to be human . . . To be fierce. He nearly gives up his throne to be with me, but I can't let that happen. Now, it's time for me to show everyone what I am capable of. I will prove to this race that I am as strong as their warriors. I am meant to be with the Vakhing.

The Stories We Cannot Tell is a contemporary novel about the emotional journey of two women. Rachel is a thirty-year-old married, Jewish woman who's wanted a baby for a long time. Katie's a thirty-two-year-old single, Catholic woman who has been trying to find a man who'll stick around. We follow the women individually as they find themselves pregnant, Rachel happily, Katie, not.

Food photographer Rebecca and her tween daughter, Willow, move from Alaska to Boca Raton, leaving behind their terrible secret about the death of Rebecca's husband. They're ready to start anew in the warmth of the sunshine state, hoping it will help vanquish Willow's night terrors. As her daughter becomes controlled and bullied by the popular group, Rebecca is drawn closer to the charismatic head of school, Mr. Brady. A hot and steamy—though uncertain—relationship begins. Soon, lies, deception, and secrets cause everything to spiral out of control.

Zahra Kane is a brilliant and daring archaeologist. The former British Army Intelligence linguist has used her fluency in a laundry list of languages, as well as her combat training, to succeed at the highest level. The intrepid adventurer isn't afraid to get her hands dirty or blow past the point of no return to obtain her prize. Late one night, she receives a frantic phone call from her estranged brother, an Egyptologist who's been tasked with examining a newly discovered tomb and the prize it contains: the original Book of the Dead-a scroll made of human skin and penned in human blood.

Melody Simmons desperately needs to fill her bank accounts with credits that could help her family climb out of near poverty. And in the Virgin Hunt Games, that means enticing as many hunters as possible to bed her. The downside? Billions of viewers from all parts of the galaxy would be watching her fall from virtue with avid interest.

Seven strangers wake up in a sealed compound with no idea how they got there. They are informed by a computer-generated voice that they must complete tasks in order to leave, and that failure to complete any of the tasks or breaking any of the rules results in a strike. The first two strikes induce extreme pain. The third strike is death. As they struggle to survive without turning on each other, they have no idea that their actions and choices could doom humanity. Or save it.

Eric Carter has a lot on his plate. He's hunting the Oracle of Las Vegas, a literal talking head that manipulates the future to make its prophecies come true. But it has a new trick. It can change the past, too. Now Jazz Age Los Angeles is invading the present. Long gone buildings suddenly restored, decommissioned Red Car trains appearing on paved over tracks, miles of the city changing back to orange groves. Throw in a hundred-year-old doomsday cult, time magic, and a terrifyingly powerful spell to raise the dead and it makes for a busy week.

Annalee Newitz traces the way disinformation, propaganda, and violent threats have evolved from military weapons deployed against foreign adversaries into tools in domestic culture wars. Newitz delves into America's deep-rooted history with psychological operations, beginning with Benjamin Franklin's Revolutionary War-era fake newspaper and nineteenth-century wars on Indigenous nations, and reaching its apotheosis with the Cold War and twenty-first-century influence campaigns online.

Carving out a living in the Deathlands is no easy feat. To most, the only thing that matters is one more day spent above ground. To the man known as Trader, the only thing that matters is the bottom line. After Trader and crew offload their last haul, they set their sites on the next score. An underground military installation.