Risultati letto da "Jack Webb" in Tutte le categorie

Crime is everywhere in postwar Los Angeles—and so is Sgt. Joe Friday. From robbery detail to the Bunco Squad, from narcotics to homicide, he's on the job in radio's definitive police procedural series.

From start to finish, Dragnet brings you a real-life police drama of unprecedented realism. When the series hit the air in 1949, there was nothing else like it, anywhere. In this collection, Jack Webb and Barton Yarborough star in 20 broadcasts from the earliest months of radio's landmark police procedural.

Doses of concentrated thrills and pure, raw excitement are delivered directly on the heels of the most explosive musical theme in radio - a crashing rendition of Mussorgsky's "Night On Bald Mountain." Produced and directed by William N. Robson, Norman MacDonnell, and Antony Ellis - and featuring stories by Rudyard Kipling, Ambrose Bierce, and more - Escape is capable of chilling spines as expertly as it accelerates heartbeats.

Father Peyton of the Holy Cross Fathers wanted to inspire his country with a radio program. Footing the expense of the show himself, he arranged for some of the biggest names in radio and film to donate their services, and for a network to provide the broadcast time. The series that resulted featured heartwarming stories for audiences nationwide. The commercial breaks were filled only with an earnest, non-sectarian appeal for family prayer, reminding listeners that "The family that prays together stays together."

The ultra-realistic crime dramas of Dragnet were tight, tense, and always on target. Guided by Jack Webb from its radio premiere in 1949 right through to the series' end, the medium's most memorable police procedural never cut corners in its meticulous recreation of crime, investigation, and punishment. Follow LAPD Sgt. Joe Friday and his partners, Sgts. Ben Romero and Frank Smith, in 20 real-life cases from both the early weeks of the program's run and its later years!

Tough, hardboiled, and with a dry sense of humor, Jack Webb stars as Jeff Regan, doing the leg work for his not-always-agreeable boss, Anthony J. Lyon. Regan takes on hard and difficult assignments as he investigates counterfeiters, embezzlers, and encounters general mayhem, and most of all murder, in these 16 classic radio episodes. Joining Webb is a cast of many of radio’s finest supporting actors, including Herb Butterfield, Lawrence Dobkin, Barry Kroeger, Lurene Tuttle, Ed Begley, Wilms Herbert, Betty Lou Gerson, and many more.

Racketeers and robbers, crap-shooters and kidnappers, hit men and hard cases - watch out! Joe Friday's on the job, and he isn't here to fool around! Join Jack Webb for 20 gritty true-life tales of urban crime from the files of the Los Angeles Police Department. Ben Alexander, Martin Milner, Jack Kruschen, Virginia Gregg, June Whitley, Stacy Harris, and more co-star as the city's cops, concerned citizens, and cold criminals.

Jack Webb and Barton Yarborough star as Joe Friday and Ben Romero - just a couple of cops doing their job. Follow them step-by-step through 20 true-to-life cases, drawn from the files of the Los Angeles Police Department. Their dialogue was never clichéd or exaggerated, and their cases never relied on jumped-up action sequences to deliver impact. Whether they were on the trail of a car thief with violent tendencies, a fast-moving gang of safecrackers, a kidnapper, a mail thief, or a murderer, their job was the same: Get 'em.

Sergeant Joe Friday of the LAPD was arguably the most pivotal figure in radio drama's postwar shift toward ultra-realism. Just an ordinary plainclothes cop doing his job, and doing it with a meticulous attention to detail that revolutionized the way radio told its stories. Jack Webb stars Friday, with Barton Yarborough as Ben Romero, Barney Phillips as Ed Jacobs, and Ben Alexander as Frank Smith in this collection of 20 absorbing crime dramas!

From the darkest, foggiest, most rain-swept streets of your imagination come The Great Radio Private Eyes! Detectives, investigators, shamuses all - here's a legion of radio's best-remembered gumshoes taking on all comers in a wide-ranging collection of thrill-packed cases of crime. They're all here! From Bulldog Drummond to Candy Matson, from the urbane world of The Falcon to the grubby dockside world of Pat Novak - get set for classic radio drama at its most compelling!

You better not shout, you better not cry, you better not pout, we're telling you why! Great Radio Christmas is coming to town! Pour yourself an egg nog, break out the ribbon candy, and tune in for a whole stocking-full of radio favorites celebrating the holiday season.

Dragnet was radio's most successful police procedural series, and by far its most influential, shaping an entire generation's view of law enforcement, and bringing police work to life in carefully-documented detail. Never sensationalistic, but always a gripping listening experience, Jack Webb's signature creation remains the standard against which crime dramas are judged. Webb, who produced and directed the series, stars as Sergeant Joe Friday in gritty dramas of unprecedented realism.

Dragnet, the popular American radio series airing from 1949-1957, is arguably the most famous and influential police procedural drama in media history. Enacting the cases of a dedicated Los Angeles police detective, Sergeant Joe Friday and his partners gave audience members a feel for the boredom and drudgery, as well as the danger and heroism, of police work.

Set in Los Angeles and starring Jack Webb as the stoic Sergeant Joe Friday, Dragnet is perhaps the most famous and influential police procedural drama of all time, having made extensive runs on both radio and television. Webb, also the producer of the show, took the series to new highs, insisting on realism in every facet of the program. The dialogue was clipped and sparse, taking its cue from hard-boiled crime fiction à la Raymond Chandler and Dashiell Hammett.

Enjoy sixteen of the greatest programs from radio’s golden age and the Hollywood celebrities that starred in them.

In this collection of sixteen detective episodes, you’ll hear Frank Sinatra as amateur detective Rocky Fortune, Dick Powell as Richard Diamond, Private Detective, Alan Ladd on Box Thirteen, Jack Webb as Sgt. Joe Friday on Dragnet, Basil Rathbone and Nigel Bruce as Holmes and Watson on The Adventures of Sherlock Holmes, William Gargan as Barrie Craig, Confidential Investigator, Vincent Price as Simon Templar aka “The Saint” and many more!

Lyon, portrayed by Wilms Herbert, ran the International Detective Bureau, a small private investigations firm in downtown Los Angeles, with often oversized ambitions. Regan handled rough assignments from Lyon, with whom he was not always on good terms. Actor Jack Webb played Regan as tough and tenacious, with a dry sense of humor. The series ended when Webb left the show in December 1948, but was resurrected in October 1949 with a new cast.

Jack Webb (1920 - 1982) was a popular American actor, television producer, director, and screenwriter. He started out in the entertainment industry in comedy, but achieved his first success playing the title character in the radio show Pat Novak, for Hire. His greater success came from his role as Los Angeles Police Department sergeant Joe Friday in the show Dragnet, which he created based on actual LAPD criminal case files and which ran for many years on both radio and television.

Pat Novak, for Hire began in 1946 as a regional radio show produced at KGO in San Francisco and starred Jack Webb in the title role, with scripts by Webb's friend Richard L. Breen. When Webb moved to Los Angeles in 1947, Ben Morris replaced Webb as Novak. In a later network version, Jack Webb resumed the role along with Breen as scriptwriter. Pat Novak, for Hire lasted until 1949, when Jack Webb turned his attention to the series that would make him a star, Dragnet.

Set in Los Angeles, and starring Jack Webb as the stoic Sergeant Joe Friday, Dragnet is perhaps the most famous and influential police procedural drama of all time, having made extensive runs on both radio and television. Webb, also the producer of the show, took the series to new highs, insisting on realism in every facet of the program. The dialogue was clipped and sparse, taking its cue from hard-boiled crime fiction à la Raymond Chandler and Dashiell Hammett.