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The British Classics Collection: Volume One is a century-spanning collection of 24 classic works of fiction and poetry by British authors, read by a cast of incredible narrators including Stephen Fry, Joanne Froggatt, Jason Isaacs, Adjoa Andoh, and many more. Included here are stories by some of the greatest writers of all time, including Charles Dickens; Emily Brontë; Jane Austen; Thomas Hardy; George Eliot; D.H. Lawrence; George Orwell; and Mary Shelley, amongst a host of others.

During an eventful season at Bath, young, naive Catherine Morland experiences the joys of fashionable society for the first time. She is delighted to make new acquaintances, including flirtatious Isabella, who shares her love of Gothic romance and horror, and the sophisticated Henry and Eleanor Tilney. When the Tilneys invite her to their family's mysterious home, Northanger Abbey, she's eager to visit. But once there, her imagination, which has been influenced by gothic novels of sensation and intrigue, makes her suspect their father, General Tilney, of committing terrible crimes.

1851, Angel Meadow Asylum. Dr. Rutherford, principal physician to the insane, is found dead, his head bashed in, his ears cut off, his lips and eyes stitched closed. The police direct their attention towards Angel Meadow's inmates, but to Jem Flockhart and Will Quartermain the crime is an act of calculated retribution, rather than of madness. To discover the truth Jem and Will must pursue the story through the darkest corners of the city.

The Ultimate Classics Collection: Volume Two is the second instalment of our wide-ranging classic collections. Volume Two features 13 essential classic novels from Jane Austen; Edith Wharton; Leo Tolstoy; D.H. Lawrence, and many more, alongside selected poetry from Christina Rossetti; Elizabeth Browning; and Emily Dickinson. Read by a cast of incredible narrators including Joanne Froggatt, Adjoa Andoh, Jonathan Keeble, and many more, this is your new go-to collection to catch up on those classics you've always wanted to hear.

Housekeeper Phyllida Bright is quite in her element at Mallowan Hall, the charming English manor that she keeps in tip-top shape. By contrast, the bustling metropolis of London, where her famed employer Agatha Christie has temporarily relocated, leaves Phyllida a bit out of her depth. Not only must she grapple with a limited staff, but Phyllida also has to rein in a temperamental French cook who has the looks of Hercule Poirot, but none of the charm.

Orphaned Jane emerges from a cold, hostile upbringing at Lowood Institution to take her place as governess at Thornfield, home of Mr Rochester. Her petulant but loving charge, Adele, and the housekeeper, Mrs Fairfax, are her sole company, while Rochester remains a distant, mysterious and yet imposing presence.

“A murder will occur tonight at Beecham House . . .” Who could resist such a compelling invitation? Of course, the murder in question purports to be a party game, and Phyllida looks forward to using some of the deductive skills she has acquired thanks to her employer, Mrs. Agatha, who is unable to attend in person. The hosts, Mr. and Mrs. Wokesley, are new to the area. Family friends have been enlisted to play the suspects, and Mr. Wokesley excels in his role of dead body. Unfortunately, when the game's solution is about to be unveiled, the participants discover that life has imitated art.

Wilkie Collins' follow-up to The Woman in White and No Name is an innovative take on mistaken identity, the nature of evil, and the dark underbelly of Victorian England. The story concerns two distant cousins, both named Allan Armadale, and the impact of a family tragedy, which makes one of them a target of the murderous Lydia Gwilt, a vicious and malevolent charmer determined to get her hands on the Armadale fortune. Will the real Allan Armadale be revealed, and will he survive the plot against his life?

Magdalen and Norah Vanstone have known only comfort and affluence for their entire lives. Orphaned suddenly following the unexpected deaths of their parents, the illegitimate sisters find themselves flung into the other extreme of living: their father had neglected to amend his will following their parents' recent marriage, leaving them with nothing, and their bitter, estranged uncle, the legal inheritor of the family fortune, mercilessly refuses them support.

Silas Marner is the third novel by George Eliot, published in 1861. An outwardly simple tale of a linen weaver, Eliot's celebrated novel is notable for its strong realism and its sophisticated treatment of a variety of issues ranging from religion to industrialisation to community.

Following the death of Mr Dashwood, his wife and three daughters are forced to leave their estate and live in a small cottage in Devon. Austen's novel follows the sisters through love, loss, and heartbreak, until they find their way towards a happy ending.

Wuthering Heights: Lockwood is an unwanted guest, forced by a snowstorm to pass the night at the lonely and inhospitable house of Wuthering Heights. A child’s ghost pleads at the window to be let in; a waif who has wandered the moor for 20 years. Jane Eyre: Orphaned Jane emerges from a cold, hostile upbringing at Lowood Institution to take her place as governess at Thornfield, home of Mr Rochester. Her petulant but loving charge, Adele, and the housekeeper, Mrs Fairfax, are her sole company, while Rochester remains a distant, mysterious and yet imposing presence.

The shocking true story of a young woman forced into spying for Russia under the KBG. What would make you agree to work as a KGB agent? Love, blackmail, desperation? For this young woman, there is only one thing that could make her agree to a life of service under the brutal regime that she hates. They took her baby. So begins the most compelling and revealing story about spying you're ever likely to hear.

Pride and Prejudice may be her most famous novel, Persuasion her most deeply affecting, but for many, Emma is Austen’s best novel; the most perfectly balanced between comedy and insight, sparkle and depth. Witty, headstrong Emma Woodhouse, more interested in making matches for others than falling in love herself, is a wholly delightful heroine.

The future of law enforcement has arrived, courtesy of private health contractor Janus Justice. Their ground-breaking ‘Offender Treatment Programme' has been hailed as the most effective way of tackling crime yet. As offenders move through the four-tiered system, their needs are dealt with, each tier more drastic in its methods. But Grace Gunnarsson, one of Janus' most highly regarded rehabilitation psychiatrists, has uncovered a terrible flaw in the system, one that is allowing people to get away with murder.

It's the dawn of the Swinging Sixties. The Cold War is at its height and support for the Campaign for Nuclear Disarmament is building. The Berkshire Constabulary's Detective Gwen Crockford is promoted to Woman Police Sergeant in Newbury – the town at the heart of Britain's atomic weapons program. Gwen's initial reservations that her posting in rural Berkshire will be boring soon prove to be unfounded. A serial sex attacker on the loose, an attempted murder at Greenham Common US Airforce Base, and a charismatic heiress with a family secret keep things interesting for the capable sergeant.

Ever since her sister, Anya, was murdered in Sotogrande, a playground for the rich, Natasha's life has gone off the rails. After three months of poring over the details of what happened, Natasha travels to the scene of the crime where she hopes to unravel the truth—about her sister's death and life. With no job, how did Anya end up in a multimillion-Euro apartment in one of the most exclusive areas on the continent? The police have no suspect. Publicly, they claim the killing was likely gang-related. But their key person of interest, a local with links to organized crime, is also now dead.

Dreaded more than the Devil himself, cholera - the 'blue death' - spares no one. As fear grows across the city, Jem Flockhart and Will Quartermain are called to the bedside of a dead man, murdered, and with his throat torn out, in the back room of a brothel. When an innocent man is taken to Newgate, Jem and Will have until execution day to save him. The search for the identity of the corpse, and the killer, takes them to the gates of Blackwater Hall, home to the secretive, and corrupt Mortmain family.

It's 1956, and the Berkshire Constabulary has never had a woman detective before. That is, until bright and ambitious WPC Gwen Crockford passes out of Hendon Detective Training School with flying colours... After five years serving as one of Britain's first policewomen, Gwen Crockford becomes one of its first female detectives. Swapping crime prevention for detection, she must soon become comfortable with attending murder scenes and post-mortems, investigating sex crimes and going undercover.

Visiting the Great Exhibition to view the wax anatomical models of the famous but reclusive Dr Silas Strangeway, Jem Flockhart and Will Quartermain find a severed hand, perfectly dissected and laid out amongst the exhibits. Assuming it to be a prank by medical students they return it to Dr Strangeway, who works at Corvus Hall, a private anatomy school run by Dr Alexander Crowe—once one of Edinburgh's most revered anatomists. Jem's persistence reveals that a body does indeed lie in the school's mortuary, minus its right hand.